24th September, 2021 / 19:30 -
3rd February, 2014
John Irving investigates the issue of 18th-century Topic Theory as applied in the performance of Mozart’s chamber music with piano.
A day conference exploring innovations in composer-performer-audience relations. It includes findings from the audience engagement project based around two Britten Sinfonia concerts at Milton Court, from both artist and audience perspective; plus presentations on relevant artistic and research initiatives from the Guildhall School and elsewhere.